How does what affects us intertwine with what we work on?
Readings imprint on our bodies, adhere, and unfold as a connecting force, weaving alliances, contagions, epidemics.
Silvio Lang is an artist from Argentina, based in Buenos Aires. He is dedicated to stage direction, queer activism, artistic teaching, and research in performative practices and theories of the body. His artistic, pedagogical, and activist work focuses on collective experimentation through practices of feeling, in intimate queer audiences. He teaches in postgraduate studies and coordinates self-managed training and scenic creation spaces. He has published “Lxs artists don’t make works. We invent practices” (microutopías, 2022 [2019]), among other publications on performance theory, queer/curious theory, and philosophy.
Elian Chali (Córdoba, AR. 1988) is an artist, activist of the Collective of People with Disabilities, researcher, teacher, and curator from Córdoba, Argentina. His practices range from expanded painting, photography, performance, and writing to social activism and curatorial practices in community projects.
Norma Pérez, also known as Norma Mor / Death to Norma, is a transdisciplinary drag artist whose work explores drag art as a technology for social transformation. Her practice focuses on hacking gender through performance, archiving, and queer pedagogy. She is part of M0nster.L4b and a resident at La Escocesa and Graner 2024–25, combining visual art, performance, and transfeminist activism.
Lucrecia Masson Córdoba is a writer, artist, and researcher whose main areas of inquiry are bodies, animalities, and other-than-human subjects. From an anticolonial perspective, she works with various artistic registers, primarily experimenting with writing. She is interested in the imagination within theory and firmly believes that one cannot think without the body. She published Epistemología rumiante (2017), Escrituras rumiantes. Cuerpo, exceso, animalidad (2022), and De comadres y pastoreos. Carta intensa a les que nunca escribirán solas (2024), and has participated in numerous anthologies. She is part of the Ayllu Collective, with whom she published Devuélvannos el oro (2018) and participated in various spaces, including the Sydney Biennale (2020) and the 35th São Paulo Biennial (2023). For years, she has been researching with ruminants.